{"id":7483,"date":"2019-10-01T17:11:57","date_gmt":"2019-10-01T09:11:57","guid":{"rendered":"http:\/\/www.mr-shan.com\/?p=7483"},"modified":"2019-10-01T17:20:43","modified_gmt":"2019-10-01T09:20:43","slug":"ink-asia-2019","status":"publish","type":"post","link":"https:\/\/www.mr-shan.com\/?p=7483","title":{"rendered":"INK ASIA 2019"},"content":{"rendered":"

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\n\"\"<\/p>\n

The theme of this exhibition, with a primary focus on Gao Zhenyu\u2019s ceramics and the woodcarving of Zhou Ning, is \u2018Mr Shan\u2019s tearoom\u2019. It imagines how Mr Shan would present his vision upon discovering contemporary ceramic and woodcarving works of art.<\/p>\n

The vitality of pottery lies in its creative inception by the artist. In Gao Zhenyu\u2019s flower vessel creations, he chose to integrate purple clay with the type of clay that is most familiar to him, opening a door to new possibilities in the world of ceramic art. Traditional creative wisdom is both smoothed and roughened by the warmth of the artist\u2019s hands. In this intricate exchange, ancient and modern Chinese ceramic practices as well as foreign influences are intuitively sublimated into rotating objects. The pronounced tensions in the asymmetric lines of Gao\u2019s creations are like spiritual imprints or organic nature, emanations of the artist\u2019s soul.<\/p>\n

Relief sculpture is an essential part of Chinese civilisation, a mysterious monologue of extraordinary charm and unfettered thinking through which 7,000 years of accumulated knowledge and skills evoke a unique perspective on multifaceted meaning. Zhou Ning\u2019s woodcarving art demonstrates the artist\u2019s strong determination to convey his interpretation of the meaning, a narrative that resonates profoundly in the art world.<\/p>\n

Introduction of works<\/span><\/strong><\/p>\n

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\nGao Zhenyu_Clay Nirvana_10.5×11.5×31.7cm_Ceramic_2014_(No.8)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_10.7×9.6×26.1cm_Ceramic_2014_(No.4)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_12.2x12x30.3cm_Ceramic_2014_(No.21)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_16.2×10.5×10.6cm_Ceramic_2014_(No.98-2)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_31.3×11.5×11.5cm_Ceramic_2014_(No.97-1)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_34.5×10.8×11.7cm_Ceramic_2014_(No.29)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_\u03c6\uff1a8.5cm_Ceramic_2016_(No.1607-2)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_\u03c6\uff1a10.5cm_Ceramic_2016_(No.1607-17)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_\u03c6\uff1a10cm_Ceramic_2016_(No.1607-8)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_\u03c6\uff1a10cm_Ceramic_2016_(No.1607-9)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_\u03c6\uff1a12cm_Ceramic_2016_(No.1607-26)<\/p>\n

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\nGao Zhenyu_Clay Nirvana_\u03c6\uff1a14.5cm_Ceramic_2016_(No.1607-28)<\/p>\n

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\nGao Zhenyu_S\u014ddeisha Series of Flower Holder-9_53x17.2x35cm_Ceramic_1996<\/p>\n

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\nGao Zhenyu_S\u014ddeisha Series of Flower Holder-9_60x60x16.6cm_Ceramic_1994<\/p>\n

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\nZhou Ning_Memory_Wood Carving_58x90cm_2003<\/p>\n

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\nZhou Ning_Nature-1_Wood Carving_72x72cm_2016<\/p>\n

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\nZhou Ning_Wind-6_Wood Carving_224x79cm_2018<\/p>\n

\"\"
\nXu Jing_Dream of the butterfly_97x180cm_Ink and wine on paper_2018<\/p>\n

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\nXu Jing_Journey of the Heart_173\u00d793cm_Ink and wine on paper_2019<\/p>\n

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\nXu Jing_Sweet-sounding_97x180cm_Ink and wine on paper_2017<\/p>\n

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\nXu Jing_Welkin_180\u00d797.5cm_Ink and wine on paper_2018<\/p>\n

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\nShen Qin_Landscape1711(7)_Ink on paper_142x41cm_2017<\/p>\n

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\nShen Qin_Mountain 20180803-03_Ink on paper_175x85cm_2018<\/p>\n

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\nShen Qin_Mountain 20180910-01_Ink on paper_50x60cm_2018<\/p>\n

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\nKe Ke_Bird-shaped container_30x17x43cm_Ceramic_2018<\/p>\n

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\nLi Zhang_Herbal series-1_Ink and color on paper_120x120cm_2016<\/p>\n

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\nLi Zhang_Herbal series-2_Ink and color on paper_120x120cm_2016<\/p>\n

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\nLi Zhang_Herbal series-3_Ink and color on paper_74x51cm_2016<\/p>\n

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\nShao Fan_Half table_100x90x30cm_Mahogany_2018<\/p>\n

\"\"
\nWang Kezhen_Bone implement_Silver_H\uff1a36cm \u03c6\uff1a10cm_2017<\/p>\n","protected":false},"excerpt":{"rendered":"

The theme of this exhibition, with a pri…<\/p>\n","protected":false},"author":1,"featured_media":7484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-7483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=\/wp\/v2\/posts\/7483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7483"}],"version-history":[{"count":3,"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=\/wp\/v2\/posts\/7483\/revisions"}],"predecessor-version":[{"id":7518,"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=\/wp\/v2\/posts\/7483\/revisions\/7518"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=\/wp\/v2\/media\/7484"}],"wp:attachment":[{"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mr-shan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}