Interview 002 | The brush that is not influenced by external factors is the soul of art
Fu Yao, in her creative process, always maintains the independence of her own consciousness and avoids external disturba…
Fu Yao, in her creative process, always maintains the independence of her own consciousness and avoids external disturba…
The colliding colors and the characters with tension in Fu Yao's works, the unique observations of the world hidden in t…
The continuity of Fu Yao's works, from "Escape" to "Arcadia Club", lies in the characters and creative thinking. She inc…
Tian Jiaqing has always based his efforts on "continuation" in the process of "inheritance and innovation". Whether it i…
In the exhibition "The world adores beauty and splendor, I am fond of simplicity and plainness" by Wang Shixiang, every …
From the exhibition "The world adoresbeauty and splendor, I am fond of simplicity and plainness", one can see Wang Shixi…
The "Mei Shao Yue (the name of Chinese guqin: Moon on the Plum Branches) "Chinese guqin has a clear and mellow sound, li…
In the lower right corner of the inkstone rubbing in the Palace Museum's collection, there is an inscription seal readin…
If there were "cameras" and "printers" in ancient times, they must berubbings without a doubt. By covering a piece of ri…
The Major Heat marks the peak of "all things flourishing and the intermingling of dampness and heat", but nature also be…