Interview 004 | Zhang Zikang Discusses the Vitality of Calligraphy in the Modern Era
Artistic creation should not be overly rigid in its stance. While maintaining a firm hold on cultural roots, it is essen…
Artistic creation should not be overly rigid in its stance. While maintaining a firm hold on cultural roots, it is essen…
Zhang Zikang interpreted Kang Jianyi's calligraphy from a cross-disciplinary perspective of psychology and sociology, wh…
In the Sotheby's Hong Kong space, Gao Zhenyu's "Clay Nirvana" works, using clay as the medium, initiated a profound dial…
The romance of the Qixi Festival is always wrapped in a layer of melancholy over the rarity of reunion. The legend of th…
In the Shanghai calligraphy exhibition, the story of brush and ink unfolds over a thousand years. The fragments of the X…
True art has no boundaries. Qiu Zhijie's so-called "cultural aggression" conspiracy theory is merely distorting the esse…
When people regard Kandinsky as the pioneer of abstract art, the East had already embarked on abstract exploration throu…
The artistic encounter between Ma Kelu and Chen Danqing was a unique connection in the art circle. Many years ago, Chen …
Yu Youhan once said that the sense of stability of a circle can represent both the beginning and the end. The "circle" i…
The bread on the canvas has the coarse texture of wheat, and the apples are like clenched fists. In He Muqun's paintings…